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https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1478023283557-P8SBO8SHMM9FCVXGLPLW/_resized-Aro-Ha_0130.jpg Gallery https://www.swalenyc.org/home-gallery-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477943804603-ANOTFCMI1W4WU61AI3EX/_resized-20140301_Trade-151_0158.jpg Home - Gallery https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477943804603-ANOTFCMI1W4WU61AI3EX/_resized-20140301_Trade-151_0158.jpg Home - Gallery https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477666197919-P722IWOR7GAC50JNRVH2/Aro-Ha_0093.jpg Home - Gallery https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1481230686455-0R1UAXF5CDUM8GV06JT5/Untitled-13.jpg Home - Gallery https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1478025833581-BO0GCPLOH8JIKBX2FSFT/connect-v2.jpg Home - Gallery https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477944001237-OO6MRY77X8ICALTOB490/_resized-Aro-Ha_0367.jpg Home - Gallery https://www.swalenyc.org/mentor-team daily 0.75 2023-12-28 https://www.swalenyc.org/campaign-1 daily 0.75 2022-03-17 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634167693238-U5QR9R1CGV65N3FH7KEJ/Screen+Shot+2021-10-13+at+5.24.43+PM.png Governors Island LOOP - Make it stand out Magnificent day on @governorsisland with @lavida.dedari and her crew from @thepointcdc https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634167856437-5TVMWKUM9R1KSZPWBNHK/Screen+Shot+2021-10-13+at+5.22.01+PM.png Governors Island LOOP - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634167822358-JS4SKSKD3TXLC98IIQVN/Screen+Shot+2021-10-13+at+5.21.51+PM.png Governors Island LOOP - Make it stand out Join us on Saturday at our Food Forest location on #governorsisland to check out the work of @marymattingly @kosmologym @jw4lker @gregstewart7328 @tessa.grundon @theashleypalmerproject @jacobnesler @katherine_patino_miranda @lisabloodgood @publicartaction @amandamcdc @kaddaki @project_soils_usi @sus_org and visit with our amazing neighbors at the Urban Farm on #governorsisland #growfoodmakeart #foodforest #publicfood • • • • • @governorsisland Discover a world full of bees, compost, food forestry and art installation during a guided Urban Farm Tour this Saturday! Get up close and personal with @swalenyc's Food Forest, @the_bee_conservancy's bee sanctuary, @earthmatterny's Compost Learning Center & Soil Start Farm, and the @grownyc teaching garden, where you'll be able to hear directly from their caretakers about why these Governors Island spaces are so important and unique. No pre-registration required. Meet at Gate 14 at the Urban Farm, across from Liggett Terrace, at 1:55pm on Saturday, September 18 to join the tour. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634167749942-BHABTSG8VE2UYQZIQJXE/Screen+Shot+2021-10-13+at+5.24.20+PM.png Governors Island LOOP - Make it stand out Shooting hoops at @kosmologym #dirtball Was a winner. #growfoodmakeart #publicfood #artmatters https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634167580927-WQ5NOVRQNV9RXOHDYR2P/Screen+Shot+2021-10-13+at+5.25.24+PM.png Governors Island LOOP - Make it stand out @amandamcdc @tessa.grundon ‘s #cyanotype workshop at @marymattingly @swalenyc #swalefoodforest was the bomb. Of course I forgot to take photos of my #seedbomb workshop. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634167555470-XJ8DZXOGSPREFNPOSI0O/Screen+Shot+2021-10-13+at+5.25.09+PM.png Governors Island LOOP - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.swalenyc.org/campaign-2 daily 0.75 2025-10-28 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/a4108dc6-dc01-4240-ab9d-3f5742f2c205/Screen+Shot+2019-05-08+at+6.20.33+PM.jpg Bronx CONCRETE PLANT PARK Swale at Concrete Plant Park, Bronx, 2017 Swale helped instigate the Foodway at Concrete Plant Park in the Bronx https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/eb2af980-5628-4d74-9256-b77f790d8c9b/Screenshot+2024-01-29+at+9.25.13%E2%80%AFPM.jpg Bronx CONCRETE PLANT PARK - Make it stand out The Bronx River Foodway at Concrete Plant Park, 2022 https://www.swalenyc.org/campaign-3 daily 0.75 2025-03-20 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304497418-HOY0JLA6RN2BO9NS2O8S/Screen+Shot+2019-05-13+at+5.15.57+PM.png YOUR PARK https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557784702006-V1HYHHU60H2BKYY8CQM0/Screen+Shot+2019-05-13+at+5.19.45+PM.png YOUR PARK - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.swalenyc.org/our-vision daily 0.75 2026-01-27 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1554343742300-WFJYBGB3O8IX65T99Q6W/Swale%2C+Concrete+Plant+Park+2016_Courtesy+of+Swale.jpg Our Vision https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557623409300-8ZIBNUQW7SSAKPMYD6NO/Swale+Brooklyn+Bridge+Park+photo+courtesy+of+Kate+Kiefert+copy.jpg Our Vision Swale at Brooklyn Bridge Park, 2017 photo courtesy of Kate Kiefert https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557354392812-K4PFFLXMK682KVIJAYLQ/Swale%2C+2017+courtesy+of+Cloudfactory Our Vision Swale, 2017 photo courtesy of Cloudfactory https://www.swalenyc.org/new-page daily 0.75 2025-09-20 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304494018-T6ZREZI7UURTMSLO94QG/Screen+Shot+2019-05-13+at+5.20.47+PM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304521390-YFJ5GLUKCM23C3KBBKC5/Screen+Shot+2019-05-13+at+5.15.38+PM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304494020-MLDCZHRHM6EYQEDQX142/Screen+Shot+2019-05-13+at+5.20.38+PM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304519968-QRLQH3W89WPUNF69UEBU/Screen+Shot+2019-05-11+at+10.23.45+PM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304495880-IJLO7ZTIDVZBTNZ6M1RF/Screen+Shot+2019-05-13+at+5.20.00+PM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304523042-JZJ27DB3JHXMF3WURMEH/Screen+Shot+2019-05-11+at+10.23.28+PM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304497418-HOY0JLA6RN2BO9NS2O8S/Screen+Shot+2019-05-13+at+5.15.57+PM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558304570207-W1QXDP0L454O7DNWGCQF/Screen+Shot+2019-05-11+at+10.23.11+PM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1747402413543-B5BSFPHZAKKA1Z30NKQI/Screenshot+2025-05-10+at+3.52.55%E2%80%AFPM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1747402416664-WZ7JGT10RWZ6W1YGQH1M/Screenshot+2025-05-10+at+3.53.40%E2%80%AFPM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1747402585586-UMKF82MIUZ087F2W0HVH/2Screenshot+2025-05-10+at+3.52.55%E2%80%AFPM.png Swale Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1747402588553-J3IUMHXXO60PLSLOTKKS/2Screenshot+2025-05-10+at+3.53.40%E2%80%AFPM.png Swale Barge https://www.swalenyc.org/home-vision-campaigns daily 0.75 2024-01-30 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557834627263-37DVXQT5QRPPCJYXXXXV/SwaleAerialSkylineCourtesyCloudFactorycopy.jpg Home https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557785322107-TLT1PR5ULP85TU7EF3NK/Screen+Shot+2019-05-13+at+5.49.53+PM.png Home https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557784702006-V1HYHHU60H2BKYY8CQM0/Swale+orchard+in+Brooklyn Home https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557784966379-PFN7H4TL69F7D1W5DEUL/Screen+Shot+2019-05-13+at+5.15.29+PM.png Home https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557783142253-84F3V9FRFF50KSJQTGMB/image-asset.png Home https://www.swalenyc.org/home-impact daily 1.0 2026-01-27 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557834743756-5BQG7HQEIWA3Z00NJ9O8/20170624-764B9241.jpg Home https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/40be41f1-316c-4e5d-b75f-72a75ce27a47/2shoal+top+view+copy.jpg Home - Make it stand out Rendering, Floating Garden https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/120eca3f-b5dd-4bea-8a7a-5bb915d385c4/swaleheader.jpg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1554341932745-BA81GY3AZXHHQ0RHG8BQ/Swale+Aerial+Skyline+2.jpg Home - Make it stand out Swale is always docked at a pier, except when it’s in transit to another pier. This photograph was captured between NYC piers as Swale was heading to Brooklyn, 2017. https://www.swalenyc.org/upcoming daily 0.75 2025-09-18 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/b2290862-9504-4533-8b0e-4c2884ce1a55/JessSegall_Birdhouse_2025_02.png Exhibitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/98f043b0-250e-4d32-ae08-9bc3bdb9d3a2/JessicaSegall+Fishnets.jpg Exhibitions - Make it stand out Jessica Segall, Fishnets https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/ce55dace-f3eb-4396-9e32-64b6816f5818/unnamed.png Exhibitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/2431b808-cb9a-447b-8323-e72ba1ac3043/Screenshot+2024-07-02+at+9.25.24%E2%80%AFPM.png Exhibitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/f698b037-fb5d-4b2d-8fcb-adaf21f9a535/Screenshot+2024-07-03+at+7.52.58%E2%80%AFPM.png Exhibitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1b17daea-c38b-43f6-b7e6-991b47899618/Screen+Shot+2023-06-04+at+7.28.06+PM.png Exhibitions - Make it stand out Re-Imagining Conservation, 2023 RE-IMAGINING CONSERVATION: FROM THE GROUND UP Swale House, Governor’s Island, NYC Dates: May 5 - November 5, 2023 Open Saturdays and Sundays from 12 pm to 5 pm at Swale House on Governors Island, NYC accessible by ferry https://www.govisland.com/plan-your-visit/ferry. Opening Reception: May 20, 2023, 1-4 pm An informal opportunity to view the work and mingle with artists, writers, and Creature Conserve staff Artist-Led Events: May 21, 2023, 1-4 pm Creature Conserve is delighted to partner with Swale House and the Urban Soils Institute to present Re-Imagining Conservation: From the Ground Up, an exhibition inviting viewers to imagine human-animal-soil interactions in ways that support healthier lives for all species. This exhibition focuses on the role healthy soil plays in supporting a healthy ecosystem, which in turn supports healthy animals and healthy people. The artworks included in this exhibition present multiple lenses for viewing our relationships with soils, and prompts the viewer to ask: WHAT IF we imagine human-animal-soil interactions in ways that support healthier lives for all species? The exhibition includes works from 21 artists, 10 writers, and 2 performers from five countries. Curated by Heather McMordie, Creature Conserve Arts Curator with support from Margaret Boozer (Co-Director, Art Extension Service, NYC Urban Soils Institute) and Mary Mattingly (Founder, Swale.) Featuring artworks by Angela Baron, Chloe Bulpin, Donica Larade, Eileen Holland, Elizabeth Ellenwood, Emilie Houssart, Hayley Cranberry Small, Hernán Jourdan, Jeanne Dodds, Jenn Houle, Lee Fearnside, Lisa Schnell, Madison Woods, Mrinmayi Dalvi, Pamela Casper, Pooja Venkatachalam Kumar, Rachel Frank, Renee Crowley, Stephanie Garon, Uma Sharma Performances by Kate Amrine, Kate Douglas Writings by Adira Andlay, Catherine Fletcher, Catherine Raven, Derek Russell, Diana Renn, J. B. Moonstar, Juliana Roth, Mary Arnold, N Nitha Fathima, Uttama Patel, Lisa Schnell, and Susan Tacent. SCHEDULE OF EVENTS May 20, 2023, 1-4 pm EST: Opening Reception May 21, 2023, 1-4 pm EST: Artist-Led Events May 15 - 23, 2023: Rachel Frank, Artist in Residence at Swale House June 12 - 18, 2023: Jeanne Dodds, Artist in Residence at Swale House June 19 - 25, 2023: Emilie Houssart, Artist in Residence at Swale House June 26 - July 2, 2023: Lisa Schnell, Artist in Residence at Swale House August 1 - 6, 2023: Stephanie Garon, Artist in Residence at Swale House August 27 - September 3, 2023: Kate Amrine, Artist in Residence at Swale House September 4 - 10, 2023: Hayley Cranberry Small, Artist in Residence at Swale House September 25 - October 8, 2023: Kate Douglas, Artist in Residence at Swale House September 25 - October 8, 2023: Hernan Jourdan, Artist in Residence at Swale House https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/fe9e904e-1aad-4bfa-9132-9cf99f4bad00/Screen+Shot+2022-04-05+at+3.47.11+PM.png Exhibitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634166738459-A2Q8UO1VXZ9EYDPZ3AWU/Attuned+Invite+Swale+2021.jpg Exhibitions - Make it stand out Swale House, 15 Nolan Park September 4 – October 16, 2021 Opening Reception: September 11, 12 - 4pm Attuned Artworks in Attuned address living soil, inspired by the billions of microbes in every tablespoon of dirt which breathe in carbon dioxide and exhale oxygen. Like the dirt beneath our feet, these sculptures teeter between living being, inanimate object, and transformative process. Some incorporate plants and melting wax, others create complex shifts in our perception. Artists: Joy Curtis, David D’Ostilio, Rachel Frank, Heidi Norton, Brian Zegeer Curator: Julie Ann Nagle Urban Soils Room The Urban Soils Room houses the soil samples collected by the Natural Resources Conservation Service for the landmark New York City Reconnaissance Soil Survey. The room is an art + science collaborative installation that highlights the beauty of the soils and illustrates the essential functions that soils perform in the urban ecosystem. Originally a collaboration between soil scientist Dr. Richard Shaw and artist Margaret Boozer, the Swale iteration expands with additions from Urban Soils Institute and its Art Extension Service, including programming and a soils testing lab. Organized by Urban Soils Institute Art Extension: Project Soils Acts of Restoration * Tessa Grundon During the opening reception, Grundon will present work-in-progress in her studio at Swale House. In collaboration with Swale and Urban Soil Institute, Grundon is working with the woven fibers and dyes of hyperaccumlator and medicinal plants to create woven vessels (hassocks/tussocks) for the remediation of damaged land and waterscapes. These contain the soil, microbes, seeds and mycelium for the restoration of specific sites. She has been growing a dye and fiber garden for experimentation with Swale Food Forest and SUS. *Braiding Sweetgrass, Robin Wall Kimmerer The exhibitions are otherwise open by appointment: Attuned: julieannnagle@gmail.com Urban Soils Room: margaret@margaretboozer.com Swale House: amandamcdc@publicartaction.net / swaleproject@gmail.com https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634168202727-92U868Q8N5DDZIXSW0U0/Screen+Shot+2021-10-13+at+5.35.13+PM.png Exhibitions https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634168203578-8MXO4RIOTNK99FPHZEWB/Screen+Shot+2021-10-13+at+5.35.01+PM.png Exhibitions https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634168205823-UD4H52HQXQEA4K4FR487/Screen+Shot+2021-10-13+at+5.34.18+PM.png Exhibitions https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634168439822-GSADO1R65PYTPZ00OESN/Screen+Shot+2021-10-13+at+5.40.25+PM.png Exhibitions https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557351497927-X4AM10GYTVOUGBZDU9P7/Lina-Dib-Like-There-is-No-Tomorrow.jpg Exhibitions - Make it stand out Lina Dib and Taylor Knapps, Artist and Creative Programmer, Like There is No Tomorrow Installation https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/0499f2ae-2abe-4722-aadc-89bae565fc88/Screen+Shot+2022-04-05+at+4.04.19+PM.jpg Exhibitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1564614748904-QH8GB5E271DKZCKD7IO5/Curiouseed Exhibitions Past Exhibitions: August 3 - October 27, 2019 Intelligent Fungi, Curiouseed https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1564615195707-URH07CAFPD90IL3BNTEX/Solstalgia Exhibitions Solstalgia, Sophy Tuttle https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1565184473690-BLK0UVN13XQE3QJUX6LV/image-asset.jpeg Exhibitions Home Is Where the Plastic Eating Stomach Is by Elizabeth Demaray and the greater Swale House community. Come partake in an alternative form of plastic dispossession. Between June 29th and August 19th bring your plastic waste to Swale House and it may become feed for a living sculpture that digests plastic via white rot fungi. Utilizing an open source plastomach, (plastic + stomach) design, this entity can be fed plastic waste and may help us envision a world that’s free of plastic debris. For directions on starting your own plastomach, updates on SH plastic contributions and a discussion of the emotions involved in using and disposing of plastic please visit https://wordpress.com/read/feeds/45327210/posts/2364808341 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/403ae091-feb5-420e-a628-370d6873b810/Screen+Shot+2022-04-05+at+3.54.06+PM.png Exhibitions - Make it stand out The pending closure of dozens of 1960’s-era nuclear plants around the United States opens a new chapter of decommissioning and remediation activities that will transition these nuclear sites to new uses. Hot Ecology describes the ecological and political environment of these post-nuclear landscapes. Hot Ecology: Hudson Valley focuses with curiosity on Indian Point, a Hudson River nuclear facility located 40 miles north of New York City, by examining ecological impacts of decommissioning and remediation on surrounding communities. Wendy Andringa is an Associate at SCAPE Landscape Architecture. Since 2005, she has been working in New York City on the creation of urban green infrastructure parks, public plazas, innovative playgrounds, higher education facilities, and multi-scalar residential green spaces and amenities. As an adjunct professor at Columbia University GSAPP, Wendy teaches the regional urban design studio, and she has also taught at SUNY ESF in Syracuse. She has served as a Board Member and Design-Build Fellow of the Gowanus Canal Conservancy, where she continues to engage in hands-on community service in Brooklyn. She is a registered Landscape Architect in New York State. Her interest in nuclear landscapes began from spending her childhood near the Hanford Nuclear Reservation along the Columbia River in Washington State, now the site of the largest high-level nuclear waste cleanup site in the nation. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1564615289477-MRDG6UTZBMK3E6IK3DSR/maynaparvifolium300.jpg Exhibitions Plant Portraits, Blair Butterfield https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557351081056-C72YTC24IP68XMDOJ3L0/IMG_1587-950x712.jpg Exhibitions Correlation Drawing/Drawing Correlations, Margaret Boozer with USI https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1566961063463-VQ1ALAI9S11FZ3GIE133/IMG_E7334.jpeg Exhibitions Games for Mushrooms and Non-Mushrooms Carol Padberg leads games that encourage cross-species engagements with mycelia and the mycelial fruits we call mushrooms, while participants create new games through working in small groups. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1f245fee-2590-4e93-8bc2-037c91ce1941/Screen+Shot+2022-04-05+at+4.01.59+PM.png Exhibitions - Make it stand out Text-isle: Multidisciplinary Work on Governors Island Workshop: SAT, AUG 10 AT 1 PM at the Swale House (House 15) in Nolan Park on Governors Island in NYC, Free Wool needs teeth to bond with dye. Soaking the fibers in a mineral-rich bath is called mordanting. We’ll collect seawater from Buttermilk Channel to mordant wool. As we walk along the seawall, we’ll practice deep listening and ask, “What else needs teeth? How do we make language susceptible to environment?” While the wool soaks in seawater, we will steep in the place where sculpture and poetry meet, souse our words, and play with them. This workshop is a part of Ensayos, a nomadic research program based in Tierra del Fuego. Ensayo #4 (Coastal Curriculum) involves research pods in Tierra del Fuego, Northern Norway, New York, and Australia. The artists, scientists, and scholars involved in each pod meet intermittently to cross-pollinate and share their experiences with archipelagic intersections of identity, history, geography, language, and law. Christy Gast brings her Mobile Tinctorium to Governor’s Island to extract color from goldenrod (solidago sp.), a native plant in the aster family. Gast’s process includes transferring color from plants to fibers (foraging, dyeing, felting), sculptural installations, and exploratory, poetic, performative and collaborative actions. She will work on-site and host events throughout the summer, amidst an evolving exhibition of projects and processes in the studio. Denise Milstein is a writer and researcher. She teaches at Columbia University and edits Dispatches from the Field, a publication series devoted to ethnographic material. Born in Montevideo, Uruguay, she lives and works in New York City. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/b89cf502-1310-4ab5-9798-f0c463da2d5f/Screen+Shot+2022-04-05+at+4.00.04+PM.png Exhibitions - Make it stand out Christy Gast interviewed by Bonnie Huang B.H: I want to start off with a conversation on the work that you're doing here in the workroom Swale House. C.G: My proposal was to do a project called Heart of Goldenrod, an evolving sculptural projected involving growing and dyeing with goldenrod, which is a native plant that offers an astounding range of colors for textile dyes--especially on wool--ranging from pale yellows to really dark greens. There's an example in one of the pieces in the room, the felt flag that is suspended from the stick in a stack of dye pots. The darker colors are derived by using iron in the dye mixture or cooking it in an iron pot. The technical term for what happens to colors when iron is introduced to the dye is “sadden,” or “saddening.” I intended to be actually cooking dye here, but since the Parks Department doesn't allow open flames, and it takes an incredible amount of heat to make textile dyes, I shifted the focus to a more discursive workshop series. When I dye with goldenrod, the workflow is normally to use about five, dye pots made of different metals: stainless steel, cast iron, copper, aluminum, tin, and brass. If I can use an open flame and rest those pots on it, I can produce a wide range of colors using the same dyestuff. I designed some cast concrete stoves that are part of the sculptural element of the project which are highly efficient, basically small furnaces. But since the Parks Department doesn't allow open flames, and water is an issue as well on the island, as well, the project has developed towards pulling textual and textural metaphors from the dye processes and collaborating with other artists to do experimental projects that, in a more discursive way, think about those metaphors and play with them. B.H: Could you elaborate a little bit more on maybe the different metaphors that are in specific colors that you have in mind? C.G: The first workshop was called Felting / Feeling. We used some of the language from the wet felting process, like the term “shocking,” for example, which refers to the way the fibers are treated when they’re submerged in hot and cold water and massaged aggressively, to talk about ideas of emotion, representation, visibility, and responsibility in art. At the same time, we made some wet-felted pieces as a group. Next week with the writer Denise Milstein, we're offering a writing workshop around the idea of “mordanting,” which is the process through which a mineral molecule is introduced to the protein of the wool, which allows dye molecule to bind to the fiber and create color. The root of the word mordant has to do with biting or adding teeth. We will collect seawater from Buttermilk Channel, mordant some wool in it, and then think and write about processes of transformation. The dye color that comes out of the plants, it doesn't actually bond directly to the protein. It bonds to the mineral, without which the color transformation would not happen. This weekend with the poet Charity Coleman, we had a program called Liberation Botany in which she performed a poetic oratory, a discourse around naming, in terms of the sort of scientific names that have been applied to plants and animals in North America. B.H: And, I'm curious about your draw to poetry and to spoken word, and things like that. It seems like it's a large part of what you're incorporating into this project. I that you have done some performance art in the past. Could you talk a little bit about maybe what's the draw towards that for you? C.G: In terms of performance, one of the first things that I did when I finished my undergraduate studies was to tour with the circus that was founded by a group of artists, Cloud Seeding Circus of the Performative Object. That was a formative experience for me as an artist. And in terms of poetry, at my home in upstate New York in Dutchess County, I host a poetry residency called the Sappho Room. It’s a simple room with a beautiful library of books sent by artists and writers when I first moved there, which was organized by the writer Jarrett Earnest. The residency is about building a network, or a community, and making space for creative people to work in the house where I'm also working. I take up a lot of space as a sculptor, so I thought it would make sense to carve out a quiet space for writers, specifically queer or trans writers, a room of their own. It’s informal. There’s no application process or website. I say it’s for friends, lovers, and friends and lovers of friends and lovers. Writers come for anywhere between two and four weeks at a time and focus on their work. We eat dinner together, take walks, explore, talk about books. Having that residency in a room that's very similar to this workroom inspired me to do a more discursive project in here. B.H: I'm curious about too, the kinds of techniques that you talked about just now that goes to the dyeing process. Did you have mentors and teachers who taught you these techniques? And also, do you approach the making process from a more traditional kind of sensibility or do you like to experiment a lot with the dyes in the work that you're doing here? C.G: I started to do this work after I had done several projects about forests and landscapes that were more performance and film-based. I was really influenced by the writing of Donna Haraway and a book called How Forests Think by Eduardo Kohn. Rather than put the lens or the gaze on the forest or the landscape, I wanted to see how I could make work that felt more collaborative, to work with the forest. I began a long process of learning to read the forest, which meant taking walks either by myself or with other people, collecting leaves and flowers of plants that I didn't know, identifying them and beginning to understand what properties those plants have that might be, or had in the past been, used to make colors. The idea was similar in a way to John Cage's interest in mushrooms as a sort of chance operation; it was to see what I found on those walks in the forests that I was exploring in different residences that could produce colors. Through that process of dyeing wool, the plants I encountered offered a color palette that I would then use to make artworks. The forest determined the colors. B.H: There's a lot of site-specificity that incorporated into your process. How do you look for for these environments or situations? C.G: Mostly I end working in places through relationships that I've built in my work, or where I lived for a while, like in Utah or the Everglades in Florida. I lived in both of those places off an on. And then, based on the nature of my work, I've been invited to take part in long-term projects like Ensayos in Tierra del Fuego, which is directed by a close collaborator, Camila Marambio, who I've been working with for about 10 years. B.H: So a lot of the work then is a response to the environment that you're living in. C.G: In conversation with the environment that I'm living and working in, and with other people and animals and plants that are living in those places as well. B.H: How long have you been living in Upstate New York? C.G: Only a year. B.H: How has living in that landscape influenced your work? C.G: I was drawn to the region because I needed to shed the limitations of being in an urban environment and working in confined spaces. I was seeking out, already, residences that would give me an opportunity to have outdoor studio space, and I wanted to set up a permanent situation to work in that way. And I also wanted to start growing my own art supplies, which I have begun to do. B.H: You work in a very wide range of media: video, performance, you're doing a lot of dyes, you've done soft sculptures. How do you decide on the right form for a work? C.G: I would say that the work tells me what the form needs to be. There's a conversation between the content and the material that happens in my head or physically in the studio, until it just feels right. And I think of the exhibition space, the travel requirements, the production requirements of the work. If I have to take a sculpture to a location to make a film, then I have to make sure that I can physically do that and so that might influence the form that it takes. So it might be collapsible, might be made of a textile, that kind of thing. B.H: Is there anything that you wouldn't use? I'm just curious. C.G: I'm not exactly sure if there is anything I wouldn't do. I mean, I wouldn't do anything that feels unethical. B.H: [Laughs] That's very fair. What does your research look like before and during the creation of a piece? Do you do a lot of sketching? C.G: It looks like a lot of printouts, photographs tacked to the wall, big pieces of paper with a lot of writing and quick sketches on them. Piles of books on the table. B.H: And working with so many collaborators, whether it's the poets or more on a scientific level, what is it like to work with others, especially people who might not be visual artists? C.G: It's a really wonderful process because everyone's creative, right? Scientists are creative, writers are creative, curators are creative. And we hold that creativity in different ways and in different forms. In the collaborative process, we inhabit each other's worlds for a short period of time, which really sticks with you. And then there are a lot of shared Google Docs. B.H: Do you have a specific audience in mind when you're making work? A group that you want to speak to? I'm asking because you make work in response to an environment, and I'm wondering if that's the same for audiences. C.G: That's an interesting question because the audience that I make the work for is the people that I'm talking to; people, animals, plants in the environment that I'm thinking with. And if there's a venue like this where I'm invited to do a project, there will be a certain audience that’s drawn to the venue. B.H: You said that your work is for the people that you're making it with, or the animals and the environment that you're making it about. How does that work? C.G: Sometimes animals are in the audience, to be honest, like the scent pieces that have to do with the beaver. B.H: Yeah! I really liked that. [laughs] Oh, and that makes me want to ask—I thought that work had a sense of whimsical, almost fantasy playfulness embedded in it. There was another video with a performer kind of...acting as a mermaid? C.G: Oh yeah, uh-huh. Yeah. B.H: I thought those are really wonderful kind of elements of your work, the playfulness in there. Is that something that you try to instill in it or does it just kind of happen? C.G: I just think it's important to leave space for magic to happen, not to overly script the outcome of the work. And, so, things like the merperson and the beaver work can only happen when you leave the door open for the unexpected. B.H: I was interested, too, in how a lot of these works you’re traveling and looking at places and making work through a cross-pollinated lens with environmental issues and things like that. I'm wondering how do you engage with immigration or human migration in your work? C.G: That's a really good question. I think with a lot of the work that I do that has to do with landscape and the environment, the absence of people is really important. And that absence in a lot of cases has to do with how we understand wilderness in the United States, which I see as a manufactured emptiness resulting from settler colonialism. B.H: Can you elaborate a little bit more on the manufacturing of wilderness? C.G: The Wilderness Act defines the meaning of wilderness in terms of federal land. It states that wilderness is “untrammeled by man.” Untrammeled means that wildernesses are spaces that are not maintained or used by humans. That act was passed in the mid-twentieth century and reflects an understanding of those places at that time. If you go back a hundred years or more, to the westward expansion of the United States, the “untrammeled” appearance of places we refer to as wilderness are the result of military and capitalistic pressure on Indigenous people, both passive and aggressive. Disease, military and social campaigns. But in the 15th century, before colonization, forests in the Americas were managed by people for people on a very, very broad scale that is almost invisible to us today, because the scale of management was so different. B.H: I actually read a little bit about that, in the book 1491— C.G: Yes, I read it too. B.H: The part that struck me was when they were talking about how the prairies as we think about them now were heavily managed with fire and—yeah I guess that really makes you reconsider what's considered wilderness especially on a governmental level. Does this shift when you're making work outside of the United States? Or like in the Americas, in general? When you make work in Europe, do you have to deal with the same kind of thought process in regards to those human-nature interactions? C.G: Yeah, definitely. The project Vi ser på korn på Ruene (Hva skal kyrne f ores med?) that I recently did in Norway, although it was specific to one farmer and his fields in Skiptvet, also connected to global trade because this farmer was trying to make a feed mix for his cows that didn't involve soy. And the soy that was mandated by the government to be included in the feed in order to to get the right nutritional content for the dairy cows producing organic, local milk was imported from Brazil, where the Amazon is cut down so that multinational corporations can grow soy. That was a major part of the conversation we were having with the farmer and with the members of the community who came to the field to draw the plants that were being grown--the experimental mixture of grains and legumes meant to replace the imported soy. The story of a place is different in every place. But really—nothing is so local. B.H: Everything wraps up on a more global scale, I guess. You mentioned earlier that although there aren’t always people present in your work, people are still implied in the space--kind of how we talked about people, or the lack of people, being implied in wilderness spaces. I think that's how I was interpreting the lack of people and faces in your work. C.G: True, there aren't that many faces in my work. I’m thinking about, for example, the exhibition Inholdings, which focused on a former missile base in the Everglades. The work told the story of change in a landscape over time: deforestation, agriculture, the discourse around invasive species, ecological restoration, and the reality of the Cold War in that place, simply through the juxtaposition of images of plants that were screen printed onto the body of a life-sized replica of a Nike missile. There were clearly a lot of people involved in producing that reality: the current scientists and land managers who are trying to remove the invasive species, the people who worked on the military base, the farmers before them, indigenous people before the farmers. What I'm representing is the evidence of those stories that the plants witnessed, or are artifacts of—living artifacts of. B.H: When you have work with all this research that goes into it, does that get presented along with the work in some way? Do you write a wall text that usually goes with it or is it pretty open? C.G: There's usually a press release or something with a condensed version of the story, but I think that people can come into a space and encounter an artwork without the didactic text to help them understand how to think about it. B.H: To wrap up, tell me a little bit about what's happening in the future, in regards to this space, or other projects that you have going on? C.G: I'll have a piece in an exhibition that's organized by the River Valley Arts Collective in Catskill, New York in September. And Ensayos, the collective that I'm a part of, we're doing a collaborative project in Brisbane, in Australia at Milani Gallery, that will involve an expedition up the coast. Research and singing and scuba diving, and... B.H: The whole shebang? C.G: The whole shebang! https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/394f43ae-1a77-4e82-8247-3fe08c0500d7/Screen+Shot+2022-04-05+at+4.02.57+PM.png Exhibitions - Curiouseed at Swale House Intelligent Fungi is a three month research, exhibition and workshop series presented by Curiouseed to celebrate the fungal wisdoms and learn from fungi, our greatest teachers, to build, nourish, and heal. The series invites the public to get inspired by these most under-appreciated organisms and deepen nature connections through exhibitions, workshops and residency research projects. Visitors will learn about the critical roles fungi play in earth’s life support system and get hands-on with fungi to restore contaminated water, experiment with biofabrication, and survey the mushroom species on Governors Island. Intelligent Fungi Series will be hosted in Swale House, Nolan Park 15, on Saturdays and Sundays from August through October 2019. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557352260705-X1KQA9PNSEWAGHKSGW12/fish_bones_meal_25.jpg Exhibitions Don Daedalus, Artist, Illinois River Project https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557352829960-JHB2HD0DQ9AU6E7DGRJ6/20130615092129-o.jpg Exhibitions Anna Rosen, Artist, Project:Soils https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563210178963-J493K84NDKIP9XQ4MQHM/Tatiana+Morin+Website.jpeg Exhibitions Tatiana Morin, Director of New York City Urban Soils Institute https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563211735335-VAG1Z9UD8JQDH55132IS/Bret+Shirley+Website.png Exhibitions Bret Shirley, Artist, Swale AIR https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563211026274-VGPA7R2SUCRNH4KTTGD1/Sue+Stockman+Website.jpg Exhibitions Sue Stockman, Artist, Bee Build Workshop https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563210592193-T7D15OHZR03C4UC27SMG/Anya+Paltseva+Website.jpeg Exhibitions Dr. Anya Paltseva, Adjunct lecturer at Brooklyn College and Program Coordinator at NYC Urban Soil Institute https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563210773232-7ZRS90D03FK479CWHNT4/Elizabeth+Demaray+Website.jpg Exhibitions Elizabeth Demaray, Artist, Plastomach Installation at Swale House https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563210891324-DO2N5Y5ZJHVOMACI7UBY/Cynthia+Connolly+Website.jpg Exhibitions Cynthia Connolly, Artist, Porch Chat https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563211508806-UWSLTWS7X2DY8GZ2JGXG/Blair+Butterfield+Website.jpeg Exhibitions Blair Butterfield, Artist https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563213256801-L4UR933D7HEYST9K53GG/Amanda+website.jpg Exhibitions Amanda McDonald Crowley, Cultural Worker and Curator https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563211256525-PX0IW4MV3TYXEDPVUBRR/Sam+Droedge+Website.jpg Exhibitions Sam Droedge, Biologist, Photographer, Bee Build Workshop https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563211617051-2DWCDAQA48XE6D8W42CJ/Geheimagentur+Website.jpg Exhibitions Geheimagentur, Artist Collective, Hydrarchy International #5 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563212923996-8U5B6B7MLS4KB3JTFMNJ/Lina+Dib+website.jpg Exhibitions Lina Dib, Artist, Like There is No Tomorrow Installation https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563212033248-GP3I6GD3R7C0E42WEIY0/Sophy+Tuttle+Website.jpg Exhibitions Sophy Tuttle, Artist, Solastalgia Installation https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563212303483-FBEIL7Z8AT64TYPTVJZ7/JJ+website.jpeg Exhibitions Jie Jin, Inspire nature awareness through playful, experimental, and hands-on experiences with fungi https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563212437865-CJ7YIDYM2WIJQ7KP2IB3/Kim+Darling+Website.png Exhibitions Kim Darling, Artist, Swale Circles Workshop https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563212762602-P6RFPRP9GRBP2QQK2MYV/Bonnie+Huang+Website.png Exhibitions Bonnie Huang, Artist, Intern https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563211111474-2UVB62GLF4E16AW5J9UZ/Charity+Coleman+Website.jpg Exhibitions Charity Coleman, Writer, Liberation Botany Lecture and Performance https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563213073237-HQPPFF54M3C5ERTCMVL6/Taylor+Knapps+Website.jpeg Exhibitions Taylor Knapps, Artist and Creative Programmer, Like There is No Tomorrow Installation https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563213448479-NPM1AI321OMJOEELGIXR/Sophia+Kahn.png Exhibitions Sophie Kahn, Artist https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1563475339540-PAXQPUTFODEKOGC03CW4/Graham+Smith-White+website.jpg Exhibitions Graham Smith-White, Artist, Project: Soils https://www.swalenyc.org/donate daily 0.75 2026-01-27 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/519bc46f-057d-4cbe-9d62-4b83ec125e1a/sm_swale+fundraiser+qr-code.png Donate - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557781479990-CMZ433SK5XZRJLT4DJ3V/Screen+Shot+2019-05-11+at+9.49.03+PM.png Donate https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557781533900-AH5ASVSB3HDM40P0YFKB/Screen+Shot+2019-05-11+at+10.23.11+PM.png Donate https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557782210203-VN7M5RXWIDVTXICW6U9Y/Screen+Shot+2019-05-13+at+5.15.29+PM.png Donate https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557782209074-CMYRYMG2WU68UWQGS9NS/Screen+Shot+2019-05-13+at+5.15.20+PM.png Donate https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557782212636-WRHUBARTDA22RGIC7M9S/Screen+Shot+2019-05-13+at+5.14.46+PM.png Donate https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557782465985-TLOWFRDKXS4R0FHEP23T/Screen+Shot+2019-05-13+at+5.19.45+PM.png Donate https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1608646950570-NZVXX2X8ZCIDIPD38MFY/Screen+Shot+2020-12-22+at+9.22.17+AM.png Donate - Make it stand out Swale on WNYC https://www.swalenyc.org/success-stories daily 0.75 2024-01-31 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/6d97f53b-bb5e-434f-9bfb-894e3755bd1a/Swale+Brooklyn+Bridge+Park+photo+courtesy+of+Kate+Kiefert+copy.jpg Success Stories - Make it stand out Swale’s Ribbon Cutting Event in Brooklyn, 2017 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558318496688-PYFZX0YBN1RPBJ08GRPW/Screen+Shot+2019-05-19+at+9.58.34+PM.png Success Stories https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558318552169-N6SISUKRBWAN0NN2WTQK/Screen+Shot+2019-05-19+at+9.58.49+PM.png Success Stories https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1558318584532-V0G8LYY0XCILP5SD18PO/image-asset.png Success Stories https://www.swalenyc.org/contact daily 0.75 2019-05-19 https://www.swalenyc.org/residencies daily 0.75 2024-09-07 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/d08c09dc-1622-49ef-b7dd-b475c8e0efd4/Screenshot+2024-09-07+at+11.21.25%E2%80%AFAM.png Residencies - Make it stand out Melinda Kiefer Santiago at Swale House with Urban Soils Institute and Art Extension Services https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/ece57d00-0fec-4afc-b98f-65bf0d452e7c/Screenshot+2024-09-07+at+10.48.17%E2%80%AFAM.png Residencies - Make it stand out Makalé Faber Cullen at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/72f724e5-4999-4c98-ad65-291be67d6c48/Screenshot+2024-09-07+at+11.34.09%E2%80%AFAM.png Residencies - Make it stand out Billy Friebele at the Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/96a55c0a-2631-43a3-80ea-28806ba3e535/Screenshot+2024-09-07+at+11.35.53%E2%80%AFAM.png Residencies - Make it stand out Nora Ashwood at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/a73fcc81-7445-40b4-b286-363337f7bee3/Screenshot+2024-09-07+at+11.38.21%E2%80%AFAM.png Residencies - Make it stand out Susan Smith at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/7f02f90d-2060-43ce-b88c-1031c0033e82/Screenshot+2024-09-07+at+11.42.10%E2%80%AFAM.png Residencies - Make it stand out Jo Pearl at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/18d4c8c4-cb1d-4662-9b57-98c5024c586d/Screenshot+2024-09-07+at+11.40.26%E2%80%AFAM.png Residencies - Make it stand out Caroline McManus at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/18873b40-e198-4c84-9037-8ba8f3096da5/Screenshot+2024-09-07+at+11.43.59%E2%80%AFAM.png Residencies - Make it stand out Gisela Sanders Alcántara at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/fcfe41c7-9a5b-4cb2-9071-da39df9564dd/Solson_Deeptime22_1_sm.jpg Residencies - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/f323a62b-8934-422c-951d-a65ec2ed1e22/Dredge+Flyer.jpg Residencies - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/e4e4a7f0-7a25-47c3-a11c-1c5766592e2d/Screenshot+2024-09-07+at+11.24.05%E2%80%AFAM.png Residencies - Make it stand out Kaja Kuehl’s Climate Positive Microhomes at Swale House with Urban Soils Institute and Art Extension Services https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/2d57cee2-722d-4782-829b-5c249508cfec/Screenshot+2024-09-07+at+11.26.30%E2%80%AFAM.png Residencies - Make it stand out Amanda McDonald Crowley at Swale House with Urban Soils Institute and Art Extension Services https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/6b49becf-98b4-4fcd-a898-0f33f03126d1/Screenshot+2024-09-07+at+11.30.16%E2%80%AFAM.png Residencies - Make it stand out Michele Brody at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/009ff1f9-e177-4f88-bd5b-772659d07a87/Screenshot+2024-09-07+at+11.32.32%E2%80%AFAM.png Residencies - Make it stand out Holly Hanessian at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/79cb1c68-8378-463a-8b6e-1a23fb855c09/Screenshot+2024-09-07+at+11.28.04%E2%80%AFAM.png Residencies - Make it stand out Rebecca Murtaugh at Swale House with Urban Soils Institute + Art Extension https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/3c189c81-2da1-4c1f-a5e6-0c0a591cd956/Screen+Shot+2022-10-24+at+11.29.19+PM.png Residencies - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/c30b446b-b074-4c95-b4f4-30a70126ca1b/Screen+Shot+2023-09-05+at+9.37.18+AM.png Residencies - Make it stand out Wendy Brawer’s upcoming residency at Swale House begins on October 6th with a public event on October 14th! https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/f30c5d90-31e7-4541-8963-e16d8ba5a1ab/SCOBY_Flyer_SWALE.jpg Residencies - Make it stand out Skakun’s red blood cells are mutated, spherically shaped and fragile; at age five they became severely anemic and underwent an emergency splenectomy. For decades, as a way of survival as a chronically-ill person, they have researched ways to create healthy microbiomes and increase the operation of immune systems in order to improve cell function. The philosophy of their recent body of work is informed by being routinely-sick, learning to walk again after a serious bicycle accident, and regrowth after atrophy. They have explored sculptures as objects of ritual, collaborative movement, and play, ranging from time-based devotions to endurance trainings in order to transform mental and physical states of being. The materials and rituals which aid in maintenance of a disabled body inform the materials and processes used in their sculptures. Skakun is currently developing the Beneficial Bacteria Biodegradable Milk Polymer, an ever- growing detailed archive of artifacts and recipes for transforming fermented milk into a biodegradable polymer. During one step of the process, the substrate is a nutrient rich source of probiotic food known as milk kefir. In addition to making sculptures out of the biodegradable polymer, they are proceeding with an interactive component which involves sharing SCOBYs (Symbiotic Colonies of Bacteria and Yeast) free and accessible to the public. This is their means of providing free holistic medicine to the public during a global health crisis. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/e0ebb699-189e-43ad-92cb-2d3d6a3c7ac0/Untitled.jpg Residencies - Make it stand out Gloria Ushigua https://www.swalenyc.org/residency-more-details daily 0.75 2025-07-14 https://www.swalenyc.org/floating-garden daily 0.75 2026-02-11 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/85e9585b-1f21-4207-82dd-a9e8a45395a2/1shoal+top+view+copy.jpg Swale's Permanent Barge - Make it stand out Rendering, Floating Garden https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1770824303669-AZCVFXTK42KOEXWC9TGE/3Screen+Shot+2023-12-11+at+6.13.02+PM.png Swale's Permanent Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1758403195195-94MVKPZFSAR1RTPCXCHK/3693_7.JPG Swale's Permanent Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1758403112662-4U3ACW69YWHS4GWHH65C/Screenshot+2025-09-18+at+4.57.23%E2%80%AFAM.png Swale's Permanent Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1770824341468-I5GZ52C7597WLB101E1A/Screenshot+2026-02-11+at+10.38.04%E2%80%AFAM.png Swale's Permanent Barge https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/7c7a3332-cb34-45bd-af18-fd2def20ba7b/Screen+Shot+2023-03-07+at+8.03.30+AM.png Swale's Permanent Barge - Make it stand out Robin Smith and Michael Piesoti’s Floating Garden rendering https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/c557aac3-4604-42e8-948a-ce42a1cf0c4c/afloat.png Swale's Permanent Barge - Make it stand out Rendering for Floating Garden, by Purvi Gargayan and Paxton Masengill, 2023 https://www.swalenyc.org/people daily 0.75 2025-10-28 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1557784966379-PFN7H4TL69F7D1W5DEUL/Screen+Shot+2019-05-13+at+5.15.29+PM.png People Swale at Concrete Plant Park in the Bronx https://www.swalenyc.org/about-1 daily 0.75 2025-12-17 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/85ff507a-9d73-4a96-acff-0545d0a9b706/Screenshot+2024-01-30+at+8.48.18%E2%80%AFPM.png About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/1634167023730-G0VLWH8R3QWXTI8JI4I2/freesoiltestingWSsept18_v3.1.png About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.swalenyc.org/a-permanent-floating-food-forest-copy daily 0.75 2025-05-15 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/c557aac3-4604-42e8-948a-ce42a1cf0c4c/afloat.png A Permanent Floating Food Forest (Copy) - Make it stand out Rendering for Shoal, by Purvi Gargayan and Paxton Masengill, 2023 https://images.squarespace-cdn.com/content/v1/5ca5573718f1680001bd2d75/7c7a3332-cb34-45bd-af18-fd2def20ba7b/Screen+Shot+2023-03-07+at+8.03.30+AM.png A Permanent Floating Food Forest (Copy) - Make it stand out Robin Smith and Michael Piesoti’s Shoal rendering https://www.swalenyc.org/home-header-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1472491203132-B01QYPEDXJQ15FV2F9XB/Aro+Ha_1183.jpg Home https://www.swalenyc.org/home-inquire-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1480622727871-9K4BTPKHQVUMX6AJJC2I/_resized-20140228_Trade-151_0046.jpg Home - Inquire https://www.swalenyc.org/connect-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477943509299-KY3EZIN7FQ28DCDSS0J1/_resized-Aro-Ha_0357.jpg Connect https://www.swalenyc.org/yoga-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1472831427277-XLISNR97BVBX5GTG3Z46/20140302_trade+151_0712.jpg Yoga & Meditation https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477667725455-5MZF3MEHQEV8CFG643WX/image-asset.jpeg Yoga & Meditation https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1481210628620-ONBQ2U8PAWW6SWO2QOTC/image-asset.jpeg Yoga & Meditation https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477667120223-PZHXTK0LCPNCD5SRJVPF/image-asset.jpeg Yoga & Meditation https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1472831535478-XO2GXQWO8JP9IBWVMKK9/image-asset.jpeg Yoga & Meditation https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477947590852-TEZH4M5DUHEUDF6RAEU4/image-asset.jpeg Yoga & Meditation https://www.swalenyc.org/terms-and-policies-moksha daily 0.75 2025-05-12 https://www.swalenyc.org/retreat-meditation-header-moksha daily 0.75 2025-05-12 https://www.swalenyc.org/retreat-meditation-divider-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1473191696599-3ENMSO03SR698KGU2NEO/meditation.jpg Retreat - Meditation - Divider https://www.swalenyc.org/retreat-meditation-info-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1478013836645-IO4ONWE6GLYQX6TKFACP/image-asset.jpeg Retreat - Meditation - Info PACKAGE 1 - FULL SIZE W/ SHARED BATH Features: Shared Bath, Ocean Views, Air Conditioning, Modern Suite, Full Size Bed https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1478013853031-VYB2E243A7SQKUJTSG9M/image-asset.jpeg Retreat - Meditation - Info PACKAGE 3 - QUEEN SIZE W/ PRIVATE BATH Features: Private Bath, Ocean Views, Air Conditioning, Modern Suite, Queen Size Bed https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1478014398339-333EW5QVFNBN0AJNW4CX/image-asset.jpeg Retreat - Meditation - Info PACKAGE 2 - KING SIZE W/ PRIVATE BATH Features: Private Bath, Ocean Views, Air Conditioning, Modern Suite, King Size Bed https://www.swalenyc.org/spa-wellness-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1473364325282-RBM6421V44LBFVU6JNPH/20140301_Trade+151_0210.jpg Spa & Wellness https://www.swalenyc.org/story-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477665745598-R6P5Z7BWMIRFVY9R42OI/connect.jpg Our Story https://www.swalenyc.org/home-subscribe-moksha daily 0.75 2025-05-12 https://www.swalenyc.org/home-spa-moksha daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/57bf309d46c3c410fdf9cc34/1477684219765-FPMXXUX9L4YQMLWJJF0J/_resized-20140302_trade-151_0800.jpg Home - 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